The current installation, curated by Solomon R. Guggenheim Foundation Director

Thomas Krens, neatly solves a problem that has stumped museums for years, namely, given that art --

except for Andy Warhol's Marilyns and Francis Bacon's wrestlers, popes and monkeys --

is horribly dull, requiring volumes and volumes of context to appreciate, how can we get people

to come and look at it? The sly, subversive answer: declare motorcycles to be art. Voila!

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